There's a naturally destructive boundary which can automatically limit arbitrarily redundant "information" in a subset of certain types of derived objects.

Until a visible event recurs frequently, such that it reaches the pre-defined boundary, an undisclosed entity is able to take advantage of destructive entropy in order to simplify the situation, when deriving an interpretted expression for these sorts of objects. (in other words, virtual recreations are deliberately created with poor quality in seemingly repetitive situations like this) When a collection of objects is particularly repetitive for some reason, beyond the previously described limits of repetitiveness, an undisclosed entity might permit even more repititions than usual, which obviously begets even more replicas of this peculiar set of objects (continuity). This suggests that repetitive loops (and interest?) become the appealing part of a pretend virtual model that an undisclosed entity might choose to observe.

All of this is similar to the circumstances described in the following novels:

- Blood Music by Greg Bear

- A Fire Upon the Deep by Vernor Vinge

- Constellation Games by Leonard Richardson