I would encourage you to try talking to people who actually own and operate small and midsize labels. The effect of piracy is clearly visible in their sales charts; but based on the cultural treatment of it, they consider it a cost of maintaining good relations with their fans.
Their fans are hurting them, but since they like their fans, they struggle to find a way to make up the difference somehow.
Piracy is a good way for new bands to get discovered, but that benefit fades over time. When you have a devoted fan base and you're trying to sell your 5th album, having most of them download it for free offers no benefit to the artist or label.
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I would encourage you to try talking to people who actually own and operate small and midsize labels. The effect of piracy is clearly visible in their sales charts; but based on the cultural treatment of it, they consider it a cost of maintaining good relations with their fans.
Their fans are hurting them, but since they like their fans, they struggle to find a way to make up the difference somehow.
Piracy is a good way for new bands to get discovered, but that benefit fades over time. When you have a devoted fan base and you're trying to sell your 5th album, having most of them download it for free offers no benefit to the artist or label.
How is it clearly visible? And why are you talking about labels, not artists?