This is pretty disappointing, treading over the same old ground - "my daughter could paint that". I was particularly disappointed with the inclusion of the Miro and the Rothko. Those Rothkos are incredibly subtle, and arresting, and enormous, and have dozens and dozens of layers of paint put together in really complex ways that we are still trying to understand. The Tate Modern put on a Rothko show a few years ago and exhibited a cross section of a Rothko (cut out of one of his canvasses that I believe was ruined some other way) and you could see this complexity. These paintings are often very compelling in person, even if they "boring" on the screen of your iPhone or laptop.
Comments
This is pretty disappointing, treading over the same old ground - "my daughter could paint that". I was particularly disappointed with the inclusion of the Miro and the Rothko. Those Rothkos are incredibly subtle, and arresting, and enormous, and have dozens and dozens of layers of paint put together in really complex ways that we are still trying to understand. The Tate Modern put on a Rothko show a few years ago and exhibited a cross section of a Rothko (cut out of one of his canvasses that I believe was ruined some other way) and you could see this complexity. These paintings are often very compelling in person, even if they "boring" on the screen of your iPhone or laptop.