the tension is going to continue for a while. this model is pretty strong, which is saying a lot.
i am a musician (songwriter/singer/multi-instrumentalist) with many, many years under my belt. i still like writing songs, i do it all the time. kind of like their educational benefits in other areas, the music models -- musiclm first, then stable, then suno for me -- have taught me, somehow, so much more about how the music i like to listen to works, and i am already seeing the benefits in my (extremely human, perhaps award-winningly so) music practice.
it is ALSO true that it can help you pinpoint all the kinds of music you like that don't exist, and that is very tempting -- with suno in particular, it can be intoxicatingly button-pushing, pun intended.
it's difficult but possible to resist that pull. there are people blissing out to inhuman music with their fave microgenres and that is bad, whether they are musicians or not. (i have a hunch that musicians are more susceptible to this particular breed of siren virus than non-, but no anecdata to back it up).
i think the main reason i risked my precious pointz by posting this is to say: it is extremely clear that lots of musicians are using this tool (and the other similar ones, lyria aside lol, rip musiclm) in both scrupulous and unscrupulous ways.
non-musicians too, but uh, maybe fewer scrupulous options open to them (doesn't take much to "be" a musician, just a willingess of soul!)
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the tension is going to continue for a while. this model is pretty strong, which is saying a lot.
i am a musician (songwriter/singer/multi-instrumentalist) with many, many years under my belt. i still like writing songs, i do it all the time. kind of like their educational benefits in other areas, the music models -- musiclm first, then stable, then suno for me -- have taught me, somehow, so much more about how the music i like to listen to works, and i am already seeing the benefits in my (extremely human, perhaps award-winningly so) music practice.
it is ALSO true that it can help you pinpoint all the kinds of music you like that don't exist, and that is very tempting -- with suno in particular, it can be intoxicatingly button-pushing, pun intended.
it's difficult but possible to resist that pull. there are people blissing out to inhuman music with their fave microgenres and that is bad, whether they are musicians or not. (i have a hunch that musicians are more susceptible to this particular breed of siren virus than non-, but no anecdata to back it up).
i think the main reason i risked my precious pointz by posting this is to say: it is extremely clear that lots of musicians are using this tool (and the other similar ones, lyria aside lol, rip musiclm) in both scrupulous and unscrupulous ways.
non-musicians too, but uh, maybe fewer scrupulous options open to them (doesn't take much to "be" a musician, just a willingess of soul!)