Personally I think musical notation should be optimized for ease of playing first and foremost - and I think that would be best achieved with a 1-to-1 mapping to the pitch. I.e. if I just want to play a piece in an orchestra, it's easiest if it just literally says the notes. Having to parse what a note with a double flat actually is on the fly is just unnecessary mental labour, when the information you need as a player is just 'what note do I need to play'.
I also imagine that transposing is a lot easier if I was reading piano roll notation - just play the note but X down.
It's easy enough to extend piano roll notation or something like it with hints regarding what interval it is etc, so you have both benefits.
For the rithm though I always found the existing notation intuitive, piano roll probably would be hard to parse in that regard.
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Thanks for your writeup! Nice insightful read.
Personally I think musical notation should be optimized for ease of playing first and foremost - and I think that would be best achieved with a 1-to-1 mapping to the pitch. I.e. if I just want to play a piece in an orchestra, it's easiest if it just literally says the notes. Having to parse what a note with a double flat actually is on the fly is just unnecessary mental labour, when the information you need as a player is just 'what note do I need to play'.
I also imagine that transposing is a lot easier if I was reading piano roll notation - just play the note but X down.
It's easy enough to extend piano roll notation or something like it with hints regarding what interval it is etc, so you have both benefits.
For the rithm though I always found the existing notation intuitive, piano roll probably would be hard to parse in that regard.