After watching the success of Double Fine Adventure and the Lois CK video. Do you guys think it's reasonable to assume that in the future, big hollywood blockbusters would be funded this way?
A common argument from copyright supporters is that it wouldn't be possible to fund such movies without heavy copyright enforcement. But after watching the recent success of Kickstarter and Lois CK. I feel it's getting easier to convince artists that a better world is possible.
Hollywood blockbusters are more of an investment banking scheme than a way to fund the making of movies. I don't mean to be cynical, really. But the Hollywood (in particular) works is incompatible with this funding model.
Independent films can work this way: cast/crew will not get paid, in return for a percentage should it be successful. However it's not possible to do this indefinitely as said crew gets tired of working for free after a while (much like any Kickstarter project wouldn't get a second go if they didn't deliver).
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After watching the success of Double Fine Adventure and the Lois CK video. Do you guys think it's reasonable to assume that in the future, big hollywood blockbusters would be funded this way?
A common argument from copyright supporters is that it wouldn't be possible to fund such movies without heavy copyright enforcement. But after watching the recent success of Kickstarter and Lois CK. I feel it's getting easier to convince artists that a better world is possible.
Hollywood blockbusters are more of an investment banking scheme than a way to fund the making of movies. I don't mean to be cynical, really. But the Hollywood (in particular) works is incompatible with this funding model.
Could you expand on that, or point to where I can read more on it?
Try: http://en.wikipedia.org/wiki/Hollywood_accounting for a starting point (esp. 'Examples'). Also note that states often provide generous tax subsidies to film projects filmed in their territory. Some films can profit their investors without making any money at the box office (see http://en.wikipedia.org/wiki/Uwe_Boll)
Independent films can work this way: cast/crew will not get paid, in return for a percentage should it be successful. However it's not possible to do this indefinitely as said crew gets tired of working for free after a while (much like any Kickstarter project wouldn't get a second go if they didn't deliver).