Anyone who's shot actual film will know that if you shoot daylight film in tungsten, it comes out yellow, and vice versa. For you young folks who only ever knew digital cameras, that's the "white balance" function automatically correcting for you.
It's only natural for this set of color contrasts to show up in film (try shooting something lit by a tungsten lightbulb in front of a north-facing window).
I disagree. The effect of illumination temperature does take place, but in the article the stress is on color grading. It is that color grading that makes faces orange under both daylight (Transformers example) and tungsten light (iron man example).
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These correspond to the basic axis of light typically found in the real world (up until fluorescent, anyways):
Blue = natural light (5000-8000K)
Yellow/Orange = artificial/tungsten light (2400-4500K)
Anyone who's shot actual film will know that if you shoot daylight film in tungsten, it comes out yellow, and vice versa. For you young folks who only ever knew digital cameras, that's the "white balance" function automatically correcting for you.
It's only natural for this set of color contrasts to show up in film (try shooting something lit by a tungsten lightbulb in front of a north-facing window).
/professional photographer
I disagree. The effect of illumination temperature does take place, but in the article the stress is on color grading. It is that color grading that makes faces orange under both daylight (Transformers example) and tungsten light (iron man example).