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Comment on How the First World War Transformed Artparent

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I absolutely love vorticism. I produce new editions of classic books for Standard Ebooks and used vorticist artists for cover art a couple of times recently: Edward Wadworth’s Rotterdam for Edwin Abbott’s Flatland[1] and Paul Nash’s The Ypres Salient at Night for a collection of Wilfred Owen’s poetry[2]. As well as reading BLAST (which one really should do), there’s a compilation of art called “War Paintings & Drawings”[3] produced by the UK government that has some prime examples of less abstract vorticist paintings.

[1] https://standardebooks.org/ebooks/?query=flatland

[2] https://standardebooks.org/ebooks/?query=wilfred+owen

[3] https://archive.org/details/warpaintingsdraw00grea_0

(I’m also super-jealous that you found a physical copy of BLAST!)

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